Curriculum Vitae
David A. Jaffe

PUBLICATIONS OF COMPOSITIONS
Ellis Island Sonata, Plucked String Editions Inc., PO Box 11125, Arlington, VA, 1987.
Silicon Valley Breakdown, Schott, Weihergaten 5, 6500 Mainz, Germany, 1988.

RECORDINGS OF COMPOSITIONS
The Russian National Orchestra Bass Quintet Compact disc, Pentatone Classics, 2003.

The Seven Wonders of the Ancient World Compact disc, Well-Tempered Productions WTP 5181, 1996, distributed by Allegro.

intercambio/exchange, computer music from Buenos Aires and California

The Virtuoso in the Computer Age--V.

New Music for Orchestra.

CDCM Computer Music Series, Volume 8.

Dinosaur Music---Music by Chafe, Jaffe and Schottstaedt.

Music From CCRMA 1.

The Digital Domain.

RECORDINGS AS PERFORMER (in addition to those listed above)
Heartlands,

THEORETICAL PUBLICATIONS
The Computer-Extended Ensemble.

AWARDS AND FELLOWSHIPS (see also POSITIONS)
1995 MacGeorge Fellow in Composition, University of Melbourne.
1992,3 Resident Artist, Banff Centre for the Arts.
1992 National Endowment for the Arts Collaborative Fellowship to write Seven Wonders of the Ancient World.
1989 National Endowment for the Arts Composer Fellowship to write Number Man.
1988 Fellowship from USIA Funds for Musicians at International Festivals.
1986 Winner, Hamilton College Chorus Commission Competition to write Impossible Animals.
1983 National Endowment for the Arts Composer Fellowship to write Would You Just As Soon Sing As Make That Noise?! and Bird Seasons.
1983 Prize in First Annual Newcomp Composition Contest for Silicon Valley Breakdown.
1980,3,6 Grants from N.Y. Meet-the-Composer.
1981 Grant from the Stanford Music Guild to present Generation Upon Generation.
1980 Fellowship to the Edna St. Vincent Millay Colony for the Arts.
1977 Presser Foundation Scholar.

INTERVIEWS AND ARTICLES
David Jaffe: Next, Zeta Violin e altro.

PRESENTATIONS AND GUEST LECTURES
1995 International Computer Music Conference, Banff, Canada
1995 Keynote Address, Australian Computer Music Conference, Melbourne (invited speaker)
1994 International Computer Music Conference, Aarhus, Denmark
1994 I Symposio Brasileiro de Computacao e Musica, Caxambu, Brazil (invited speaker)
1993 University of California at Berkeley
1992 International Computer Music Conference, San Jose, CA
1992 Danish Computer Music Seminar, DIEM, Aarhus, Denmark (four-day seminar)
1992 Columbia University, NY
1992 Princeton University, Princeton, NJ
1992 Yale University, New Haven, CT
1991 International Computer Music Conference, McGill University, Montreal, Canada
1991 USENIX Conference, Nashville, TN
1991 Stanford University Industrial Affiliates, CA
1990 Mills College, Oakland, CA
1990 San Jose State University, San Jose, CA
1990 University of California, San Diego
1990 McAllister College, Minneapolis, MN
1990 International Computer Music Conference, Glasgow, Scotland
1989 International Computer Music Conference, Ohio State University, Columbus
1989 LIPM, Buenos Aires, Argentina (two-week seminar)
1989 Stanford University Industrial Affiliates, CA
1989 Festival Por la Musica en las Americas, Buenos Aires, Argentina
1988 University of California at Berkeley
1988 Stanford University Industrial Affiliates, CA
1986 International Conference on Acoustics, Speech and Signal Processing, Tokyo, Japan
1986 University of Illinois, Champaigne-Urbana
1985 International Computer Music Conference, Simon Fraser University, Vancouver, Canada
1985 Aspen Design Conference, Colorado (invited paper)
1984 International Computer Music Conference, IRCAM, Paris, France
1984 DAAD Computer Music Festival, Berlin, Germany
1983 Princeton University, NJ
1983 Connecticut College, Hartford
1983 Manhattan School of Music, NY
1983 International Computer Music Conference, Eastman School of Music, Rochester, NY
1982 International Computer Music Conference, Venice, Italy

COMMISSIONS
1995 Commission from the Lafayettte String Quartet for Quiet Places.
1993 Commission from the University of Victoria for Terra Non Firma.
1992 Joint commission from the Palo Alto and San Francisco chapters of the American Guild of Organists and the Organ Consortium at Stanford for No Trumpets, No Drums
1991 Commissions from Lynn Kirby for American Miniatures and Schumann Variations.
1991 Commission from Chanticleer for Man Meets Dog, Beacons of the Sky, and Songs of California.
1988 Commission from the Modern Mandolin Quartet to write Grass Valley Fire, 1988.
1988 Commission from the Redwood Symphony to write Whoop for Your Life!
1988 Commission from the Skidmore College Chorus to write Grass.
1987 Commission from Chanticleer to write The Fishing Trip.
1985 Commission from William Wallach to write Ellis Island Sonata.
1984 Commission from the Kronos Quartet to write Telegram to the President, 1984.
1983 Commission from the Mostly Modern Orchestra to write Would You Just As Soon Sing...?
1981 Commission from Julie Feves to write Damp Nights In Drafty Motels.
1980 Commission from Edward Gans to write Pieces on Poetry by Natasha Barovsky-Hidalgo.
1980 Commission from David Starobin to write May All Your Children Be Acrobats.
1978 Commission from the Woolley Foundation to write Sunday at Bean Blossom.
1978 Commission from Bennington Summers Flute Workshop to write Celebration and Remembrance.

SELECTION OF PERFORMANCES
The Seven Wonders of the Ancient World, for Radio Drum-driven Disklavier and ensemble